A (somewhat) Brief History of Jousting

About a month ago, when I was researching sword fighting, I noticed something interesting while looking at photos of the Bayeux Tapestry. The charging Norman knights aren’t carrying lances in the traditional way we think of Medieval knights. No. Instead they were throwing them – more as if they were spears than lances.

 

 

 

This got me thinking about spears and lances and research I did centuries ago while I was still a graduate student doing a PhD in Medieval Studies. In my first or second year, I wrote a paper about spears and lances in Wolfram von Eschenbach’s Parzival.

 

When Parzival gets to the Grail Castle, he witnesses a procession that culminates with his seeing the Grail. Most scholars, of course, focus on the Grail, which in Parzival is quite different from the standard chalice that most people picture for the Grail. What I was interested in was the other items carried in the procession, in particular “der bloutec sper” – the bloody spear.

 

Notice, I said “spear”, not lance. This is a different weapon.

  

In fact, at least one Mittel Hoch Deutsch scholar – probably the great Joachim Bumke, but it’s been so long ago that I can’t remember for sure – pointed out that young Parzival’s sin wasn’t just killing his cousin, i.e., killing kin. But also that the weapon he used – his spear – was a common hunting weapon, not a knightly weapon, so it was a sin against knighthood as well.

  

OK, Parzival was written over the last decade of the twelth century and the first of the thirteenth. Something had definitely changed between the Bayeux Tapestry and the writing of Parzival.

 

I started to wonder how jousting evolved.

 

First, let’s get a little terminology straight. 

• Spear – a long pole with a sharp point at the end, possibly even a separate point, such as a spearhead. Can be thrown or thrust.
• Javelin – smaller lighter version of the above. Usually meant to be thrown.
• Lance – a heavy, long pole meant to be held and thrust.

If we go back to Roman times, we find they used cavalry in their armies as support for the main unit of infantry. Until the latter part of empire, the period which would have been King Arthur’s, they were used for scouting and light skirmishing. In battle, two “wings” (alea) of cavalry were positioned one on each flank, to prevent the infantry from being outflanked. They relied on bows and arrows and spears that could be thrown.

 

The issue is one of equipment. Because of their lack of stirrups, Roman cavalry were not very effective when it came to directly engaging with the enemy through sword fighting or lance. Stirrups are an essential ingredient in keeping you in the saddle, as your feet in the stirrups provided leverage. Roman saddles had four horns to help stabilize a rider, but you could still be toppled off your horse.

 

Roman Saddle -- 4 horns but no stirrups

 

Interestingly, the foe the classical Romans feared the most was the cataphract – the heavy horse cavalry that originated in Parthia (modern Iran). This force featured huge warhorses specially bred for the purpose (the first historical record of a breeding program). Both rider and horse were covered from head to foot with scale armor.

 

Cataphract.  This one is from the 5th century -- roughly "King Arthur's" time.

 

Cataphracts carried spears that were unusually long and heavy. These are still spears, not the heavy jousting lances we know from tournaments.

 

According to one source I researched, cataphracts used them to pierce their enemy. Without stirrups, though, a spear would have minimal impact. If you were galloping at full tilt at someone and ran him through, assuming you didn’t get knocked off your horse with the impact of the blow, you’d certainly get your spear tangled in the person you just ran through and have to, at best, abandon the weapon.

 

The power of a cataphract charge came from the mass of heavy horses themselves frontally assaulting a line, and supported by a barrage of arrows fired by archers stationed at the rear. The archers kept the enemy busy while the cataphracts charged.

 

Ironically, by the late Roman period, cataphracts have been absorbed into the Roman army and form the basis of its heavy cavalry. They’re also a key ingredient in Byzantine military strategy. And the source of the medieval knight and his equipment, as we know it.

  

(As another interesting aside, cataphracts were also a feature of Chinese armies during the San Guo – Three Kingdoms – period that followed the Han Dynasty.)

 

OK, fast forward to 1066 and the Bayeux Tapestry.

 

Stirrups appeared in northern Europe in the 9th century, so our Norman knights would have had them. But they haven’t changed their tactics yet from spear thrower to lance thruster.

 

By the mid twelfth century, things had changed. Tournaments as competitions to provide practice opportunities for knights had become so popular that Henry II of England forbade them. Interestingly, these tournaments usually began with melee, a mock battle. It featured a “lance charge”, in which the two sides charged each other and attempted to unhorse with their blunted lances as many of the opposition as possible. In other words, stirrups have changed the way knights fight.

 

As a result of Henry II’s forbidding tournaments in England, many English knights resorted to tourneying in France – including Henry’s own sons.

Success in a tournament didn’t just win a reputation; it also was worth a lot of money in prizes and ransoms. You could also win -- or lose -- your armor or your horse. This could be the making of a poor knight. (Yes, the movie "A Knight's Tale" does have some historical veracity.)  In fact, it's how William Marshall, who started as the younger son of an insignificant lord, earn both wealth and the attention and trust of the Plantagenant kings.

 

While Henry may not have approved of the sport, his heir did. Richard I (the Lionhearted), when he ascended to the throne, granted licenses for five areas where tournaments could be held in England. The tournaments included jousting.

 

Early jousts appear to have started with the tilt – running at each other with lances – and then progressed on to battling it out with swords.  The use of a piece of cloth down the middle to separate the combatants is a late development, arising out of the 15th century.

Jousting also resulted in some modifications to the chest piece (or cuirasse) of the set of armor.  To help shield the chest from a powerful blow, armorers started shaping the piece so there was a hallow between the metal and the wearer's chest.  Hence the reason why the armor worn during the Rennaissance and later has a pot-bellied look.

 

 

Jousting continued right on to the period of Henry VIII, who held some of England’s last tournaments. In fact, it’s postulated that a head injury sustained at a joust may have caused a personality change in Henry that turned him from a charming prince loved by all to a tyrant.

 

Sword Fighting Techniques Through the Ages -- Part 2

Last week I blogged on the demo on sword fighting I saw at the RWNZ conference. There was a heap of info, so I focused on what I learned about watching fighters using techniques from the Saxon and Viking periods (700-1100 AD.) Today’s topic is the next hunk of sword fighting history – the age of plate armor.


Plate armor appeared in the late 13th century. Nic Harrison, who’s one of NZ’s guru’s on authentic sword fighting (among other things he was the technical advisor for Lord of the Rings), said that plate armor was developed as a response to guns. I’ve heard elsewhere it was developed to protect knights from crossbows.  Nic showed us the tiny dent in a breastplate and explained it was the armorer's "proof of quality".  To test the strength of a piece of armor, the armorer would set it up and fire a bullet at it.  If the bullet went through, the armor got melted down and the metal reused.

I’m wondering, though, considering the power of the swords at the time, whether the move to plate armor might just be a better way to protect yourself from your opponent’s sword. Remember I said in my last blog that the blade of a sword of that period was designed to cut. It couldn’t do that through chain mail, but the power of the blow could crush and create internal injuries. Well, as Nic showed us, a powerful blow to plate armor generally just bounces off. There’s no bruising, as the plate spreads the force of the blow. At this point, knights stopped using shields, as the plate was the shield.


There area a few vulnerable places, though. One of them is the plate of armor designed to protect the knee. A sideways whack to that could create a dent that would immobilize the knee mechanism, so your opponent’s knee wouldn’t bend. There were also various “cracks” in the armor – places where one plate joined another. These remained vulnerable.

King Ludwig III wearing prominent poleyns -- knee armor.  A

blow to the side of the knee would lock the knee.

With two knights plated up like that, the encounter could last longer. But plate armor is a lot heavier than chain mail, so its weight would have tired you out.


To damage a person, you had to get in close and “command his sword”. You could do this by hooking it with your sword, your arm or your elbow. The idea was to immobilize it while you got in with your sword.

Using a sword to block a blow.

Blows got more sophisticated, too. One of the things that surprised me was how a knight would actually place his hands on his own blade to direct it. For example, one of the vulnerable spots is at the base of the neck, at the top of the chest plate. A knight might get in close to his opponent, hold his sword by one or two hands on the blade, (rather than both hands on the hilt), and use the lower hand to direct the tip of his blade into the crack between the top of the chest plate and his opponents neck. The upper hand would add strength to the blow, driving the sword down into the enemy’s lungs.


Another effective blow was what the Germans called the “murder stroke”. In this the knight held the sword by the blade. The left hand held the tip, the right was positioned half way up the blade. The hilt was in the air, with no hands on it at all. This effectively turned the half of the blade near the hilt into a club, and that’s exactly how it was used. The fighter would push the hilt forward in an arc towards his opponent’s head and bring it down through the middle of his skull or use it to hook him.

The knight on the right is moving in for a murder stroke.

Here his opponent uses the middle of his longsword to block the blow.

Italians were known for a type of stroke that used the pommel (end of the hilt) of the sword. The knight held his sword with both hands – one on the hilt, the other towards the tip. As his opponent slashed at him, his blocked his opponent’s blow by catching it with the middle of his sword. He then heaved his opponent’s sword aside and at the same time stepped to the left, “inside” his opponent’s reach. As he stepped to the left, he brought the pommel of his sword up into the fragile area under the opponent’s chin.


A smaller opponent would try to go for his opponent’s legs, especially the knee. Tall fighters learned to “defend low”.


I’ve been talking a lot about fighters holding their blades in their hands. Yes, they still didn’t wear gloves. And, yes, the things could cut your fingers off. Nic said the trick was how you held your sword. You never gripped it hard. Instead, according to the treatises on sword fighting from that period, you “hold your sword as if it were a bird.” Blows are “thrown”, not chopped.


Also, when you held your sword, you never wrapped your hand around it the way you would an ice cream cone. If you did, a yank from your opponent would cut your fingers off. Instead, you held it with your fingers curled over one edge of the blade, and your thumb stretched along the side of the other edge. With this kind of grip, an opponent cannot pull the sword from you hand.


When it came to the actual encounter, there was still a lot of posturing and moving around to get into position. Eighty percent of the fight is footwork. The two knights were trying to get each other to expose a vulnerable spot. Once one of those was exposed, they moved fast, attempting to take command of the enemy’s weapon, thrust it out of the way and thrust their own blade into a “keyhole” in the opponent’s armor.


By the fifteen century the long sword appeared. The long sword was the first weapon that could both defend and attack. The concept of “garde” was everything. It meant the potential to attack and defend, and basically was built around footwork and balance. You wanted to keep your weight centered. A lot of the blows were aimed at the face.


Thanks to the laws of physics, long swords had a lot of power behind them. So you didn’t try to block a blow from a long sword. But the power came from the arc of the blow and the distance the sword covered through air, which would build its force. Not it’s weight.


People talk about long swords being heavy. Except for ceremonial swords that were never used in battle, they were not. According to Nic, a good weight for a long sword was under 3.5 pounds (about a kilo and a half.) To use the long sword, you had to be fairly acrobatic and needed to be fit.


So what did you watch when you were in a fight and wanted to anticipate your opponent’s move? Nic said, never look at the sword. A good place to look is your opponent’s eyes, as they often give away where their next blow will be aimed. Feet and hands can also signal what an opponent is going to do next.


Next week: Swashbucklers, rapiers and maybe the saber. (Depending on how chatty I get.)