Showing posts with label weapons. Show all posts
Showing posts with label weapons. Show all posts

Monday, November 1, 2010

A (somewhat) Brief History of Jousting

About a month ago, when I was researching sword fighting, I noticed something interesting while looking at photos of the Bayeux Tapestry. The charging Norman knights aren’t carrying lances in the traditional way we think of Medieval knights. No. Instead they were throwing them – more as if they were spears than lances.


 

 

 
This got me thinking about spears and lances and research I did centuries ago while I was still a graduate student doing a PhD in Medieval Studies. In my first or second year, I wrote a paper about spears and lances in Wolfram von Eschenbach’s Parzival.
 
When Parzival gets to the Grail Castle, he witnesses a procession that culminates with his seeing the Grail. Most scholars, of course, focus on the Grail, which in Parzival is quite different from the standard chalice that most people picture for the Grail. What I was interested in was the other items carried in the procession, in particular “der bloutec sper” – the bloody spear.
 
Notice, I said “spear”, not lance. This is a different weapon.
  
In fact, at least one Mittel Hoch Deutsch scholar – probably the great Joachim Bumke, but it’s been so long ago that I can’t remember for sure – pointed out that young Parzival’s sin wasn’t just killing his cousin, i.e., killing kin. But also that the weapon he used – his spear – was a common hunting weapon, not a knightly weapon, so it was a sin against knighthood as well.
  
OK, Parzival was written over the last decade of the twelth century and the first of the thirteenth. Something had definitely changed between the Bayeux Tapestry and the writing of Parzival.
 
I started to wonder how jousting evolved.
 
First, let’s get a little terminology straight. 
  • Spear – a long pole with a sharp point at the end, possibly even a separate point, such as a spearhead. Can be thrown or thrust.
  • Javelin – smaller lighter version of the above. Usually meant to be thrown.
  • Lance – a heavy, long pole meant to be held and thrust.
If we go back to Roman times, we find they used cavalry in their armies as support for the main unit of infantry. Until the latter part of empire, the period which would have been King Arthur’s, they were used for scouting and light skirmishing. In battle, two “wings” (alea) of cavalry were positioned one on each flank, to prevent the infantry from being outflanked. They relied on bows and arrows and spears that could be thrown.

 
The issue is one of equipment. Because of their lack of stirrups, Roman cavalry were not very effective when it came to directly engaging with the enemy through sword fighting or lance. Stirrups are an essential ingredient in keeping you in the saddle, as your feet in the stirrups provided leverage. Roman saddles had four horns to help stabilize a rider, but you could still be toppled off your horse.

 
Roman Saddle -- 4 horns but no stirrups
 

Interestingly, the foe the classical Romans feared the most was the cataphract – the heavy horse cavalry that originated in Parthia (modern Iran). This force featured huge warhorses specially bred for the purpose (the first historical record of a breeding program). Both rider and horse were covered from head to foot with scale armor.

 

Cataphract.  This one is from the 5th century -- roughly "King Arthur's" time.
 
Cataphracts carried spears that were unusually long and heavy. These are still spears, not the heavy jousting lances we know from tournaments.

 
According to one source I researched, cataphracts used them to pierce their enemy. Without stirrups, though, a spear would have minimal impact. If you were galloping at full tilt at someone and ran him through, assuming you didn’t get knocked off your horse with the impact of the blow, you’d certainly get your spear tangled in the person you just ran through and have to, at best, abandon the weapon.

 
The power of a cataphract charge came from the mass of heavy horses themselves frontally assaulting a line, and supported by a barrage of arrows fired by archers stationed at the rear. The archers kept the enemy busy while the cataphracts charged.

 
Ironically, by the late Roman period, cataphracts have been absorbed into the Roman army and form the basis of its heavy cavalry. They’re also a key ingredient in Byzantine military strategy. And the source of the medieval knight and his equipment, as we know it.

  
(As another interesting aside, cataphracts were also a feature of Chinese armies during the San Guo – Three Kingdoms – period that followed the Han Dynasty.)

 
OK, fast forward to 1066 and the Bayeux Tapestry.

 
Stirrups appeared in northern Europe in the 9th century, so our Norman knights would have had them. But they haven’t changed their tactics yet from spear thrower to lance thruster.

 
By the mid twelfth century, things had changed. Tournaments as competitions to provide practice opportunities for knights had become so popular that Henry II of England forbade them. Interestingly, these tournaments usually began with melee, a mock battle. It featured a “lance charge”, in which the two sides charged each other and attempted to unhorse with their blunted lances as many of the opposition as possible. In other words, stirrups have changed the way knights fight.

 
As a result of Henry II’s forbidding tournaments in England, many English knights resorted to tourneying in France – including Henry’s own sons.

Success in a tournament didn’t just win a reputation; it also was worth a lot of money in prizes and ransoms. You could also win -- or lose -- your armor or your horse. This could be the making of a poor knight. (Yes, the movie "A Knight's Tale" does have some historical veracity.)  In fact, it's how William Marshall, who started as the younger son of an insignificant lord, earn both wealth and the attention and trust of the Plantagenant kings.

 
While Henry may not have approved of the sport, his heir did. Richard I (the Lionhearted), when he ascended to the throne, granted licenses for five areas where tournaments could be held in England. The tournaments included jousting.

 
Early jousts appear to have started with the tilt – running at each other with lances – and then progressed on to battling it out with swords.  The use of a piece of cloth down the middle to separate the combatants is a late development, arising out of the 15th century.

Jousting also resulted in some modifications to the chest piece (or cuirasse) of the set of armor.  To help shield the chest from a powerful blow, armorers started shaping the piece so there was a hallow between the metal and the wearer's chest.  Hence the reason why the armor worn during the Rennaissance and later has a pot-bellied look.



 

 
Jousting continued right on to the period of Henry VIII, who held some of England’s last tournaments. In fact, it’s postulated that a head injury sustained at a joust may have caused a personality change in Henry that turned him from a charming prince loved by all to a tyrant.

 

Monday, September 13, 2010

Sword Fighting throught the Ages - Part 3

Avast, me hearties! It’s finally time for those of you who write pirate stories to take the fore (deck). Today I’m blogging on Nic Harrison’s demonstration on sword fighting with a buckler. In other words, swashbuckling.

We’re up to the 16th century now.

1305 MS with Knight carrying a buckler on his hip


A buckle is a small shield, maybe about twice the diameter of man’s fist. It was normally carried strapped to your hip with your scabbard. It was used to deflect blows – the swash. The buckle part of the term comes from the response to a swash – you “buckle”. So the rhythm of a fight went swash, buckle, swash, buckle. The style of fighting goes back to the 13th century and continue right until the 18th.

Fighting with bucklers -- MS dates 1325


Swashbuckling descended from longsword technique. The sword was still a cutting weapon. But it was lighter, even though fighters were still using the sword itself to block opponents blows. The movement of the fight was still circular. As Nic put it, you followed the movement (the arc) of the sword. On the other hand, the pace of the fight had picked up. Blows fell a lot faster (which is probably why we enjoy watching those swashbuckler films so much.)

16th century swashbucklers -- with codpieces


Oh, about now I ought to mention cod pieces. They were not there to enhance a man’s sex appeal. Nic pointed out that all through the ages, men wore some sort of padding to protect their private parts. (Now you know what was REALLY under that kilt.) In a real fight, it was no holds barred. A blow to those parts, by sword or otherwise, could immobilize you and put your totally at the mercy of your opponent.



Viking Sword 9th century
At about this point in his sword fighting techniques demonstration for the Romance Wrtiers of New Zealand, Nic had his fighters through the ages come forward with their swords and let us compare them. The trend was obvious. Swords were getting longer and thinner. They were changing from cutting weapons to piercing ones. (Well, not entirely, but more on this in a bit.)
Norman Sword 11th century

Longsword 15th century


Part of this had to do with the fact that in the late 13th century, treatises began to appear on the art of sword fighting. By the 16th century, there were schools of sword fighting with masters running them. P lus income was affecting the type of sword a person used.


All right, previously, even back in the so called “Dark Ages” income influenced the weapon you chose. Everyone had a knife, but you had to have money to have a sword. They were expensive (probably the reason why they got passed from father to son and why they were part of ceremonial burials like Sutton Hoo.) The style of sword changed little through the early part of the medieval period, but by the 15th century the speed of change accelerated. Styles of swords had changed so quickly that your father’s sword no longer was suitable for you.

About 1670, the first treatise on civilian sword fighting appeared. Fencing became “the noble art of self-defense”. (The word “fence” comes from “defense”.)

And the rapier appeared – the “Queen of Swords”. The rapier was long and elegant. It gave a skilled fighter the ability to place his thrust exactly where he wanted. But – and here’s the big “but” – learning to fight this way took time. It takes three years to train a person to “fence”.

Swashbuckling, on the other hand, can be learned in three days.

We now have two classes of sword fighters – the common soldier and the gentleman.


Sword from Rennaissance period with finger ring(s)

With the rapier, the style of fighting changed. One of the changes had to do with putting your finger over the “guard” of the hilt. This allowed you to have better control of the point of the sword, so you could direct your thrust. But you needed some sort of protection, or your finger would be cut off. The most basic was the finger loop. As time passed, wire finger guards become more and more elaborate.

Rapier (16th century) with wire hilt


Another change was the direction of the footwork. Up to this point in time, the action of a fight had been circular. Now it was back and forth – following the forward, piercing thrust of the blade.

How a fight looked was different, too. The fight starts with the two opponents’ blades circling each other – looking for a weakness. The movement is subtle, of the wrist, rather than the whole arm, in contrast to earlier fighting with the medieval cutting-type sword, where the posing at the beginning involved moving your whole arm into different positions as you probed your opponent’s defenses.

When the two opponents finally engage it is in close. The two blades press against each other, as each fighter seeks to “command” his enemy’s weapon and trust it aside. Since the stronger part of any blade is near its hilt, you want to get the lower part of your blade engaged with the enemy’s blade for maximum strength. That means your whole body needs to be closer to his. While skill is important, at this stage of the encounter, strength counts, as well. The stronger arm is more likely to take command.


This part, the pressing, can go on for several seconds, until one or the other weakens or figures out a way to break the engagement (often with a thrust). The press is usually broken with a swift movement or two (and possibly a defense or counter-thrust), a hit and a withdrawal.


The swordsman using a rapier might enhance his defense with a second weapon. From 1580 to about 1620 rapier and dagger fighting was common. (When you went out, you inevitably strapped on your sword. It was part of a gentleman’s dress. A personal knife had been a part of everyone’s dress even in the early medieval period.) Another variation was using a short sword alongside the rapier.

Swashbuckling, by the way, continued in popularity in the military right up to the eighteenth century. By the 1800’s, though, the saber had become a common military weapon in Europe. The weapon actually came to western Europe through contact with the Hungarian Hussars, and probably goes back to the curved blades of the Turks. It is the only sword that can be used for both slashing and thrusting, though according to Nic, it’s predominantly a cutting weapon.

The saber was adopted for use by the cavalry, but early in its introduction, it was scorned by gentlemen, who still preferred the rapier or foil It wasn’t until the mid to late 19th century, when firearms had long replaced swords, that the saber became popular among gentlemen.

Nic ended his demonstration showing us the corrosion on the blade of the Crimean War saber that began my discussion of sword fighting techniques through the ages.